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The Comics Journal #301
Cover Date: February, 2011
The Comics Journal has been, for almost 35 years, the standard bearer of critical inquiry, discrimination, debate, and serious discussion of comics as art, and the object of love and devotion among the comics cognescenti — and hate and scorn among the ...
Issue Description
The Comics Journal has been, for almost 35 years, the standard bearer of critical inquiry, discrimination, debate, and serious discussion of comics as art, and the object of love and devotion among the comics cognescenti — and hate and scorn among the philistines, natch. We published our 300th issue in late 2009 and spent the ensuing year-plus re- conceptualizing the institution as an annual book-length “magazine” — over 600 pages long, chock full of the kinds of criticism, interviews, commentary, and history that has made it the most award-winning and critically lauded magazine in the history of comics.
This volume features a focus on R. Crumb’s most commercially successful project of his career, his comics adaptation of Genesis, including the most extensive interview he’s given on the subject as well as a long critical roundtable among six comics critics reviewing the book and debating each other over its merits; plus:
An interview with Joe Sacco about his recent journalistic masterpiece, Footnotes in Gaza;A peek into the private sketchbooks of (and accompanying interviews with) Jim Woodring, Tim Hensley, and the novelist Stephen Dixon;A conversation between Mad Fold-Out creator Al Jaffee and Thrizzle auteur Michael Kupperman;A complete full-color reprinting of the 1950s "Gerald McBoing Boing" comic;The first significant biographical essay charting the turn-of-the-century cartoonist and illustrator John T. McCutcheon;A critical re-assessment of Dave Sim's Cerebus by Tim Kreiderand essays and reviews by R. Fiore, R.C. Harvey, Chris Lanier, Rob Clough, and others.
Over 600 pages long, this is a year's worth of The Comics Journal rolled into one extraordinary objet d'art. As a special treat, this volume is guest designed by internationally respected Criterion art director Eric Skillman. The Comics Journal #301 is no mere magazine but a gigantic compendium covering comics past and present that will shock and delight every truly curious comics reader.
The Comics Journal (1976)
- Publisher
- Fantagraphics
Volume Description
The Comics Journal is a magazine that covers the comics medium from an arts-first perspective, and one of the nation's most respected single-arts magazines, providing its readers with an eclectic mix of industry news, commentary, professional interviews, classic comics sections and reviews of current work on a regular basis. Due to its reputation as the American magazine with an interest in comics as an art form, the Journal has subscribers worldwide, and in this country serves as an important window into the world of comics for several general arts and news magazines.
Despite a contentious relationship with the rest of the North American comics industry, due in no small part to its investigative news stories and uncompromising review section, the Journal has won several industry awards, most notably the Utne Reader, Eisner and Harvey trophies.
In October 2009, we announced the next phase of the evolution of The Comics Journal, beginning in 2010 as a uniquely sized and formatted, evocatively visual and tactile semi-annual event, with expanded content at The Comics Journal website TCJ.com.
A comics magazine, which originally began as the New Nostalgia Journal, started in 1976 by Gary Groth and Mike Catron after the Nostalgia Journal (which ran 26 issues) lost their battle against the competing adzine, The Buyer's Guide. Gary and Mike, both in their twenties, had no plan, but somehow convinced the maker of the Nostalgia Journal to give them the paper.
As Gary Groth recalls:
I can’t remember how we talked them into this, but I suspect they were on their last legs and decided to hell with it, let’s give it to these two kids. Shortly thereafter, a box arrived in the mail with some back issues, a list of advertisers and a mailing list, and we were the proud new owners of Journal.
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