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The Comics Journal #292
Cover Date: October, 2008
This issue: Gary Groth interviews the entire Deitch family: Academy-award-winning Gene Deitch, whose wide-ranging career has spanned 60+ years, talks about doing illustrations for The Record Changer, directing cartoons such as Munro and Krazy Kat, and cr ...
Issue Description
This issue: Gary Groth interviews the entire Deitch family: Academy-award-winning Gene Deitch, whose wide-ranging career has spanned 60+ years, talks about doing illustrations for The Record Changer, directing cartoons such as Munro and Krazy Kat, and creating his comic strip Terr'ble Thompson; underground comics pioneer Kim Deitch touches on his father's influence, reminisces about the New York-based scene and outlines the evolution of Waldo the Cat; and Mineshaft artist Simon Deitch and writer Seth Deitch tell their stories in a fascinating, Rashômon-like look at one of the most creative families in cartooning.
Also: A look at the early comics of pioneering newspaper-strip cartoonist F.M. Howarth, Bill Randall on Seiichi Hayashi's seminal Gekiga novel Red Colored Elegy, R.C. Harvey's report from the recent Reuben Award weekend in New Orleans, and much more!
As always, we've got previews and teasers, including Gary Groth's introduction to the suite of Deitch interviews, an extensive set of trimmings from the Kim Deitch interview, and an excerpt from the Gene Deitch interview. (You'll really want a look at those Kim Deitch trimmings, which offer a close look at the artist's working methods and philosophies not found in the print version.)
The Comics Journal (1976)
- Publisher
- Fantagraphics
Volume Description
The Comics Journal is a magazine that covers the comics medium from an arts-first perspective, and one of the nation's most respected single-arts magazines, providing its readers with an eclectic mix of industry news, commentary, professional interviews, classic comics sections and reviews of current work on a regular basis. Due to its reputation as the American magazine with an interest in comics as an art form, the Journal has subscribers worldwide, and in this country serves as an important window into the world of comics for several general arts and news magazines.
Despite a contentious relationship with the rest of the North American comics industry, due in no small part to its investigative news stories and uncompromising review section, the Journal has won several industry awards, most notably the Utne Reader, Eisner and Harvey trophies.
In October 2009, we announced the next phase of the evolution of The Comics Journal, beginning in 2010 as a uniquely sized and formatted, evocatively visual and tactile semi-annual event, with expanded content at The Comics Journal website TCJ.com.
A comics magazine, which originally began as the New Nostalgia Journal, started in 1976 by Gary Groth and Mike Catron after the Nostalgia Journal (which ran 26 issues) lost their battle against the competing adzine, The Buyer's Guide. Gary and Mike, both in their twenties, had no plan, but somehow convinced the maker of the Nostalgia Journal to give them the paper.
As Gary Groth recalls:
I can’t remember how we talked them into this, but I suspect they were on their last legs and decided to hell with it, let’s give it to these two kids. Shortly thereafter, a box arrived in the mail with some back issues, a list of advertisers and a mailing list, and we were the proud new owners of Journal.
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