Issue Description

Animal Man is in Comic Book Limbo! What is this surreal place? Who is really Buddy Baker?

A monkey sits in a field, under a tree, typing out Shakespeare on a typewriter. Meanwhile, Buddy prepares to leave his house and go journeying through the moody cemetery that has appeared outside. He tells his pets good-bye and promises to be back soon.

As Buddy walks through the cemetery, we see that there are several memorial for extinct species, such as the dodo and the T-Rex. Buddy hears a jingling and spies a shadowy figure behind a statue. He tells the figure to show itself. An older man wearing a pink and purple jester outfit walks out and introduces himself as Merryman. He welcomes Animal Man to Limbo and surprises Buddy by telling him that he didn't think he'd be back this soon. Buddy asks him what he's talking about because he doesn't remember ever being in this place. Merryman responds that no one remembers Limbo once they leave. He then explains to the confused Animal Man that he is in Comic Book Limbo; where old, uncared for comic book characters go. Merryman is a cartoonist in his secret identity, so he is unfazed by it all. He goes on to say that he knows he looks stupid, but at least he KNOWS he looks stupid... unlike his teammates who are genuinely stupid. He then introduces Animal Man to his "stupid" teammates; the Inferior Five. Elsewhere, the monkey from the beginning had started typing out this issue of Animal Man, when he suddenly grabs his chest and keels over.

The scene switches back to Buddy, where he and the Inferior Five are talking things over beside a decrepit version of the Jokermobile. Awkwardman tells them all that the monkey is dying. When Buddy asks about the monkey, Merryman tells him that it's just a monkey that used to be famous, but now no one is allowed to say his name. He just sits under a tree writing, but there is a legend that one day he'll write everyone out of Limbo. Animal Man remembers Merryman telling him that he was once in Limbo but he just doesn't remember, so Buddy asks him how he got out. Merryman responds by saying that he was written out. He doesn't know how it works... it just does. Buddy then asks if someone is creating them now, and if so, then the writer is the one who killed his family. Merryman doesn't have any answers and tells Animal Man to try the City of Formation. First, however, they need to find that monkey.

As Animal Man and the Inferior Five continue walking, they enter a shantytown full of old characters begging to get out. Merryman says that he hates coming here because the town is full of characters that will never leave; especially the animals. Nobody cares about things like the Space Canine Patrol Agents anymore. At this point, the scene changes back to the person at the computer who has appeared throughout the series. His text captions inform us that HE cares. Meanwhile, Merryman continues to reiterate that nobody cares. Buddy interrupts him and asks that if he takes the monkey to the City of Formation that Merryman mentioned, whether they would be able to help them. Merryman is unsure. Another hero called the Gay Ghost walks up and excitedly tells Merryman that the monkey is still alive. Merryman goes to investigate, while the Gay Ghost and Animal Man exchange pleasantries. Merryman returns carrying the monkey who still has his final script clutched in his hand. Merryman sadly reveals that the monkey is dying, but if Buddy takes it to the City of Formation, then perhaps it can be saved. Animal Man takes the monkey and sets off on his quest.

Five years later: Buddy is still walking and still carrying the monkey. Along the way, he meets various old DC characters and discovers that he can't seem to use his powers. Finally, he runs into Nightmaster and asks him for directions. Nightmaster reveals that he's heading the wrong way; the only building up ahead is an old house. Animal Man looks up ahead in disbelief and sees his home. Buddy approaches the house and enters. He finds the dead bodies of his pets and apologizes to them. He then decides that monkey is also dead. Buddy collapses in defeat and ponders the pointlessness of it all. He eventually goes about prying the dead monkey's grip on the script loose. Buddy reads the script and is astonished to see his own words and thoughts. He flips to the end of the script and reads that he that he goes to the kitchen and finds a pair of scissors. Buddy's text caption tells us that he refuses to go, but the next panel is of him pulling scissors out of the kitchen drawer. He cuts a piece of paper into the shape of a key and prepares to use it on his door. The door changes into a gate and Buddy uses the key. He walks through the gate, past a church, and through another gate. He approaches a building, and a man greets him a the front door. The man introduces himself as Grant and asks Buddy if he's coming in.

Animal Man

Publisher

Vertigo

Volume Description

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Writer Grant Morrison was one of the" British Invasion" creators from the UK who were brought in to DC to revamp older and obscure properties after the success of Alan Moore 's Swamp Thing . Thus Morrison pitched the idea of Animal Man, originally as a four issue mini-series. Strong sales however, meant DC asked Morrison to continue his series an ongoing, which he did for 26 issues. During his run, Morison incorporated themes such as animal rights and vegetarianism as well as fourth-wall breaking story lines which ended in Morrison inserting himself into the comic and directly speaking to Animal Man and revealing his status as a fictional character. Morrison's series re-invented Buddy Baker as a suburban family man and "average Joe" character, he also introduced a new Mirror Master (McCulloch).

After Morrison's run ended, Peter Milligan took over briefly and then Tom Veitch, who focused on Baker's stuntman career. Writer Jamie Delano then came on board as writer, transforming the title into a horror book and lining Animal Man much closer to the Swamp Thing style character, by re-inventing him again as an avatar of "The red" a force of animal life similar to Moore's "The Green" in his Swamp Thing stories, something which Morrison was opposed to but became part of Baker's status quo, especially in Jeff Lemire's New 52 Animal Man series. it was during this time (issue #57) the book was placed under DC's new Vertigo imprint along side other mature readers titles at DC where it remained for the rest of its run. Between issues #66 and #67, Delano also wrote the Animal Man Annual #1, focusing on Buddy's daughter Maxine, the annual was the third part of Vertigo's crossover The Children's Crusade.

The series had never been fully collected though #1-26 (Morrison's run) have been collected in three trades so far, the first nine issues were collected soon after they had been printed back before Vertigo came around in Animal Man- through the art of reprinting the volume has been updated to Vertigo. Over a decade later, a second volume was released, Animal Man: Origin of the Species which collected the next eight issues as well as Animal Man's origin issue from the Secret Origins series. And finally, a year later the third volume was released, Animal Man: Deus Ex Machina which collected nine more issues though left the majority of the series (including all the issues that were printed after the Vertigo imprint got stamped onto the series) uncollected.

Peter Milligan's run on the book would eventually fill a fourth trade in 2013, possibly due to the revived interest in Animal Man after the New 52.

The Shifting Cast of Writers on the Title

Grant Morrison: # 1- 26Peter Milligan: # 27- 32Tom Veitch: # 33- 50Jamie Delano: # 51- 79Jerry Prosser: # 80- 89AnnualAnimal Man Annual #1 - MisfitCollected TradesVol. 1: Animal Man (#1-9)Vol. 2: Origin of the Species (#10-17)Vol. 3: Deus Ex Machina (#18-26)Vol. 4: Born to Be Wild (#27-37)Vol. 5: The Meaning of Flesh (#38-50)Vol. 6: Flesh and Blood (#51-63)Vol. 7: Red Plague (#64-79)OmnibusesAnimal Man Omnibus (#1-26 and Secret Origins #39)

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Status: Not in Collection